What's on in London
Raoul Dufy, Golfe Juan (detail)

Royal Academy of ArtsPiccadilly

Painting the French Riviera

Now showing2 October 2026 – 31 January 2027Ticketed, see website

Monet, Matisse, Dufy and others capture the light and colour of the Cote d'Azur in this survey of the French Riviera's pull on modern painters.

Book tickets

More in London

In Bonnard's Breakfast at Le Cannet, his wife Marthe eats alone in a room full of light, the bay visible through the open door. The mirror behind her reflects Bonnard himself. The Arts Desk called it the most intriguing painting in the show.

The Royal Academy follows painters south from the 1870s to the 1960s in more than 160 works: Cézanne and Renoir painting the same rocks side by side, a room of Monet, the pointillists, the Fauves, a gallery for Bonnard, Picasso's ceramics, a room of travel posters and Hitchcock clips, and Yves Klein's blue at the end. If London's grey is getting to you, this is the Riviera without the 6am easyJet.

The critics split. The Arts Desk went "from one delight to another"; the Guardian's Jonathan Jones called it "about as erotic and glamorous as a wet day in Margate". Both found Matisse short-changed. Fridays and Saturdays it's open until 9pm, with rosé or Champagne for £12 if you show your ticket.

Look for

  • Bonnard's breakfast

    Look for the mirror in Breakfast, Radiator (Breakfast at Le Cannet), 1930, where the painter shows up behind his wife.

  • Cross's Les Îles d'or

    Bands of dots dissolve the islands of Hyères into heat haze; The Arts Desk compared it to an Agnes Martin painted decades too early.

  • Matisse's Study for Luxe, calme et volupté

    A small 1904 canvas in the Fauve room that Jonathan Jones thought should have been the show's centre.

  • Le Train Bleu

    A scene painter's enlarged copy of Picasso's Two Women Running on the Beach, the Ballets Russes backcloth, hangs near film of English National Ballet dancing in front of it.

  • Klein's ANT 84

    The finale: a 1960 imprint made by models covered in International Klein Blue.

Good for

  • Dates
  • Evening Visits
  • First-Timers

Skip if

You're coming mainly for Matisse: both The Arts Desk and the Guardian found his selection thin.

With kids

Under-16s go free with a paying adult. Artlyst picks the posters-and-film room, with clips from To Catch a Thief, as the part young visitors will enjoy most.

Also at Royal Academy of Arts

On now nearby

Nearby

Image credits

9

Your image? Ask us to correct or remove it.