iInstitute of Contemporary Art / BostonSeaport
A site-responsive commission for the Sandra and Gerald Fineberg Art Wall by the Algonquin-Anishinaabe artist, made in response to the ICA's own filled-in waterfront site.
Step into the ICA's glass-fronted lobby and the east wall is covered in Tyvek, the wrap that goes around buildings under construction. Caroline Monnet cut, pleated and sewed it, with plastic sheeting and foil insulation, into geometric "blooms" that spread across roughly 48 by 27 feet.
The materials are the point. The museum sits on harbour landfill, ground that exists because Boston has been making new land for 400 years, and Monnet answers that history with the stuff buildings are wrapped in. The circles and lines come from Anishinaabeg designs on regalia, birch bark baskets and beadwork. In the Seaport, Tyvek usually means another tower is on the way; this lot took Monnet and two assistants seven months of hand-sewing.
It is one wall, so pair it with the galleries. It stays until 21 March 2027, the longest run in the Art Wall's history, and is included with $20 admission, free Thursdays 5 to 9 pm with an advance ticket.
The pleated blooms
Look for circular and semicircular patterns clustering in layered rhythms across the wall, the pleated sheets catching and scattering light.
Building materials, up close
Get near enough to see the Tyvek, plastic sheeting and foil insulation, each piece cut, pieced and sewn by hand.
The Anishinaabeg patterns
The geometric circles and lines are abstracted from designs found on Anishinaabeg regalia, birch bark baskets and beadwork.
You want a full gallery show: this is a single wall in the lobby.
Admission is always free for visitors 18 and under.