iNational Gallery · West End
The first exhibition devoted to Catharina van Hemessen, the Renaissance artist who painted herself into history. Free to all visitors.
Prévia: escrita antes da abertura da exposição
In 1548 a 20-year-old Antwerp painter sat at her easel in expensive, quite impractical velvet, with brushes, palette and mahlstick, and had just begun to outline a small female head on the panel. Across the background she wrote in Latin: "I Catharina van Hemessen have painted myself, 1548, her age 20." It is the earliest surviving oil painting of any artist at work, and Basel is lending it to London for this show.
Van Hemessen is the only 16th-century Flemish woman painter known to have signed her pictures, and this is her first UK exhibition. It fills one room, Room 1, and aims to gather most of her signed paintings; only eight signed portraits and a few devotional works survive in public collections. If the loans come through, you can see most of what she ever put her name to without turning a corner.
Entry is free. The fuller version, with her father's workshop, runs at Antwerp's Snijders&Rockox House until 31 January 2027.
Self-Portrait at the Easel (1548)
Lent by the Kunstmuseum Basel: the young artist in velvet looks straight out at you, the outline of a small female head just begun on the panel beside her.
Portrait of a Woman (1551)
The Gallery's own picture: a young noblewoman in costly dress holds a lively white-and-orange lap dog, a red and a blue gemstone ring on her little finger.
The signatures
Look for the Latin inscriptions she placed in her backgrounds, the reason the show is called Signature Works: on the self-portrait it gives her name, the year and her age.