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Ecologies of Painting at The Metropolitan Museum of Art

The Metropolitan Museum of ArtUpper East Side

Ecologies of Painting

TrwaDo 17 stycznia 2027Płatny wstęp, szczegóły na stronie

A special installation of European paintings (c.1525-1775) by artists including Bruegel and Poussin, examining shifting depictions of humanity's relationship with nature.

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In Bruegel's The Harvesters, a woman stoops to gather wheat that stands as high as the men, and her triangular shape repeats the sheaves until she nearly disappears into the crop. The Met's label is blunt about it: the painting hung in a rich Antwerp merchant's dining room and leaves out how hard the work was.

That is how this one-room show in Gallery 638 works. Ten European paintings from about 1525 to 1775, nine of them the Met's own, with labels built around one idea: nature goes from something people live inside to something they own. Under Tiepolo's ceiling sketch you stand on the stormy sea while Neptune halts the winds overhead. Van der Neer's skaters are on ice from the Little Ice Age; the ones twenty-odd blocks south in Central Park get a refrigerated rink.

It's included with Met admission ($30 for adults, pay what you wish for New York State residents), and the museum is open until 9pm on Fridays and Saturdays.

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  • The stooping woman in The Harvesters

    Look for the woman bent over the wheat in Bruegel's 1565 field: her triangular shape matches the sheaves, so she seems to merge with the crop.

  • Poussin's blind giant Orion

    The giant gropes toward the sunrise while the warm sun pulls water up in vaporous trails to form rain clouds across the landscape.

  • Frans Post's iguana in Brazil

    An iguana sits in the foreground of a Dutch colonial landscape, and the label points out what Post left out: the enslaved Africans working the plantations.

  • Volaire's erupting Vesuvius

    Tiny figures stand silhouetted against glowing lava with Naples beyond, eighteenth-century tourists who came to feel small in front of the volcano.

  • The Snuffler's forest floor

    Marseus van Schrieck, nicknamed for rooting through undergrowth, paints a lizard, a snake, snails and butterflies around a poppy growing wild rather than in a vase.

Dla kogo

  • Godzina lub mniej
  • Wieczorne wizyty
  • Deszczowe dni

Odpuść, jeśli

You want a big exhibition: it's one room of ten paintings, nine from the Met's own collection.

Z dziećmi

Children 12 and under get into the Met free.

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