Seul: co grane
GanaArt Collection: Beneath Technology — Scenes at the Threshold, at SeMA Seosomun

Seoul Museum of ArtSeosomun-dong, Jung-gu

GanaArt Collection: Beneath Technology — Scenes at the Threshold

Ostatnia szansa16 kwietnia 2026 – 22 listopada 2026Wstęp wolny

Works from the donated GanaArt Collection of Korean realist art examining how technology and industrialization reshaped urban life, social order and individual experience.

Strona wystawy

Więcej: Seul

A huge excavator ploughs into a chili field as farmers plant seedlings, painted by Lee Jong Gu on a grain sack. It sets the tone for 26 works of Korean realist art about what the boom of the 1970s to 1990s cost the people living through it.

Sixteen come from about 200 works GanaArt's Lee Ho Jae gave SeMA in 2001, ten from the museum's own collection. You move from the countryside emptying into the city, past TV smiles and land speculation, to worn-out individuals, including Sejin Kim's 2009 video of night guards and tollbooth staff. Park Heung Soon's two collapsed boxers lie under an overpass that recalls Cheonggyecheon's, the one Seoul pulled down in 2003 to let the stream back out.

It's a compact, free hang in the 2nd-floor GanaArt gallery, and the subject is heavy: evictions, exploited labour, a worker's suicide. SeMA's website has an English audio entry for every work. Fridays run to 21:00, from November weekends close at 18:00, and it ends 22 November.

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  • The Nation's Land: Chili Pepper Seeding (1990)

    Look for farmers planting chili seedlings as a giant excavator tears up the field toward them, painted by Lee Jong Gu on a real grain sack.

  • Situation 871 (1987)

    A huge red hand rises out of a packed hillside shantytown while Namsan Tower and neat office blocks glow behind it, painted as such neighbourhoods were cleared before the 1988 Olympics.

  • Cafe (1987)

    In Lee Heung Duk's candlelit bar, men sit before a uniformed official, gold sits between two talkers, and a man slumped at the counter is ignored by everyone.

  • Father and Son (1981)

    Shin Hak Cheul builds a father out of discarded plastic and consumer goods, hugging a laughing baby and glancing around as if to guard him.

  • Golden Module (2021)

    Tiny workers bend over the gold tracks of a computer circuit board laid out like a city map, never shown what they are making.

Dla kogo

  • Tania kultura
  • Wieczorne wizyty
  • Pasjonaci

Odpuść, jeśli

You want a light visit: the works deal with evictions, exploited labour and a factory worker's suicide.

Seoul Museum of Art: inne wystawy

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