iMoMA PS1 · Long Island City, Queens
A major exhibition examining the legacy of abstract painting by Black artists in the US from 1969 to today, featuring over forty artists across three generations.
Vorschau: geschrieben vor der Eröffnung
In 1980 PS1 hung a show called Afro-American Abstraction, and Lorraine O'Grady answered it with a performance that demanded "BLACK ART MUST TAKE MORE RISKS!!!" Forty-six years later, in the same building, this show takes her demand as its starting point.
It gathers more than forty artists across three generations. Paintings by artists who came up in the 1970s, such as Frank Bowling, Ed Clark and Sam Gilliam, hang alongside recent sculpture, video and sound, and several works come straight from landmark shows: The DeLuxe Show (1971), whose curator Peter Bradley supplied the title, and PS1's own 1980 exhibition. You reach a double-height gallery filled end to end by a freestanding structure Torkwase Dyson built for it.
Entry is free, and tickets can be reserved online. PS1 is open Thursday to Monday, noon to 6pm, and from 10am on Saturdays. The Open House on 7 November includes a talk revisiting the 1980 show, and the Bloomberg Connects app carries the wall text and artists' audio.
Mehr als vierzig Künstlerinnen und Künstler aus drei Generationen zeichnen die Entwicklung abstrakter Malerei Schwarzer Künstlerinnen und Künstler in den USA von 1969 bis heute nach. Der Eintritt ist frei.
Torkwase Dyson's new environment
A newly commissioned freestanding architectural structure that spans the whole of PS1's double-height gallery.
Lorraine O'Grady, Landscape (Western Hemisphere)
An 18-minute video of the artist's hair in close-up, blown by fans until it reads as a shifting landscape, over a soundtrack of birds, insects, wind and city noise.
Maren Hassinger, The Veil Between Us
Look for newspapers twisted and knotted into a veil, held together with twine, wire, rope and steel.