iThe Morgan Library & Museum · Murray Hill
התערוכה הסתיימה.
About twenty-five works on paper from poet John Ashbery's personal collection, including portraits and collaborations by his artist friends, 1945–2007.
אתר המוזיאוןAround 1965 Jean Hélion drew John Ashbery's face eight times on one sheet of brown paper, and in every view the poet looks away. It was a study for an oil portrait Hélion never finished. Apollo's Langdon Hammer noticed how often Ashbery's friends drew him that way.
The show is about 25 works on paper that Ashbery's husband, David Kermani, gave the Morgan in 2019, most of them gifts from the artists. Eight are portraits of Ashbery, by Hélion, R. B. Kitaj, Larry Rivers, Philip Pearlstein and others, so you study the poet from eight angles and rarely catch his eye. Around them hang still lifes and abstractions, his own Harvard collage, and a 1920s Jan Matulka watercolor that came out of a Lower East Side hardware store window.
The Wall Street Journal called it "a quietly stunning, intimate show." The catch is scale: these are modest drawings, so come for Ashbery's circle rather than big statements. It closes 25 October.
Jean Hélion's eight averted faces (c. 1965)
Pastel, crayon and ink on brown paper: eight views of the poet's face, each turned away, for an oil portrait Hélion never finished.
Late for School (c. 1948)
Ashbery's own college collage sets a bird's head on a schoolboy cut from a page of a German children's book.
Red Grooms's summer window
A watercolor of razor and shaving cream resting on a window sill, looking out from the toilet over a lake in Maine.
Larry Rivers's pencil portraits
Rivers drew Ashbery in pencil and then smudged or erased the eyes.
R. B. Kitaj's portrait (1979)
A bold charcoal and pastel head of the poet, one portrait Haberarts notes he was willing to hang.
You don't care about John Ashbery: nearly everything here is a friend's drawing of him or for him.