Hyundai Commission: Tarek Atoui

Brass trumpets and drums hang over the Turbine Hall, and from a distance, the Telegraph's Alastair Sooke wrote, the softly lit drum skins look like "glowing planets or moons". Below, you can sit, stand or climb on rough stones that vibrate with the sound.

Atoui, born in Beirut in 1980, is a composer who builds his own instruments. Here wind moves through bamboo pipes to play shengs, mechanised mallets strike Korean drums, and microphones sample the room and play it back, so no two visits sound the same. On set evenings musicians perform inside it; Tate warns the hall is cold, so this is the one Tate visit where you shouldn't leave your coat at the cloakroom.

Critics split. The Guardian's Jonathan Jones called it a work to "lose yourself in for hours"; The Times heard a "Goop-y wellness-retreat backing track" and "a waste of a magnificent space". It's free (performances need a ticket), open until 21:00 on Fridays and Saturdays, and ear defenders are lent at the ticket desks.