9 novembre 2026

Ruth Asawa's first European retrospective fills the Fondation Beyeler, Özgür Kar's cow breathes across three screens at the Kunsthalle, and Wildlife Photographer of the Year opens at the Naturhistorisches Museum on the 20th. Emil Ferris's ballpoint pages leave the Cartoonmuseum on the 15th; by month's end the Christmas market is up on Barfüsserplatz. Seven picks, one of them over the German border.

I consigli della redazione per novembre 2026

Fondation BeyelerUntil 10 January

Ruth Asawa

Room 7 holds the redwood doors Ruth Asawa carved for her San Francisco house, beside life masks cast from visiting friends. Much of the retrospective is drawings and prints, a corrective for anyone who knows only the hanging wire.

Kunsthalle BaselUntil 24 January

Özgür Kar: Rock Bottom

A larger-than-life cow lies still across three giant screens while the hum of circling flies fills the room. Özgür Kar's hand-drawn figures loop in five rooms, one each, including a body after Holbein's Dead Christ with its nerves glowing.

Vitra Design MuseumUntil 28 February

Geoffrey Bawa: Architecture for the Senses

At the Polontalawa bungalow, Geoffrey Bawa let the rocks on the site become part of the house. Over 250 drawings, models and new Iwan Baan photographs follow that idea through his homes, hotels and the Sri Lankan parliament.

Naturhistorisches Museum BaselOpens 20 November

Wildlife Photographer of the Year

The 100 best images from the London Natural History Museum's competition, chosen from more than 65,000 entries. Under-13s get in free, and the museum's dinosaurs and whales are in the same building.

Jüdisches Museum der SchweizUntil 31 January

Frank Stella und die zerstörten Holzsynagogen

Frank Stella's 1973 relief Jeziory covers the facade, enlarged to the scale of the building. Inside, his Polish Village abstractions of destroyed wooden synagogues stand beside 24 models of lost synagogues by Moshe Verbin, who rebuilt the ones he grew up with.

Cartoonmuseum BaselCloses 15 November

Emil Ferris: Between Selves

Every page on these walls was drawn in ballpoint pen on lined paper, by an artist who taught her hand to move again after West Nile virus left her paralysed. Originals from both volumes of My Favorite Thing is Monsters.

In apertura nelle prossime due settimane

Ultima occasione

Altre mostre in corso

Crediti fotografici

20

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