Museum TinguelyRosenau
Around 100 works from the Baroque to today explore how we see, fifth in the museum's series on the senses.
Vorschau: geschrieben vor der Eröffnung
In 1970 Giuseppe Penone wore mirrored contact lenses that blinded him while reflecting his surroundings. That piece, Rovesciare i propri occhi, is one of around 100 works here on the sense of sight, from the Baroque to the last twenty years, across 850 square metres.
It is the fifth show in the museum's series on the senses, after smell, touch, taste and hearing. It covers light and darkness, mirrors, optical devices and invisibility. At Ivana Franke's piece you close your eyes and pulsating light makes pictures behind your eyelids that are yours alone. Zoe Leonard's backlit photographs take the sun itself as their subject, which under Basel's winter Hochnebel may be the most sun you see until March.
The tour ends with Olafur Eliasson's Who is afraid, where coloured light on the walls mixes with your own shadow. Entry is the standard CHF 18 ticket (CHF 12 students), Thursdays run until 9pm, and the vernissage on 1 December at 6:30pm is free with no booking.
Penone's mirrored eyes
In Rovesciare i propri occhi (1970), mirrored contact lenses blind the artist while reflecting the world around him.
Ivana Franke's flock of birds
In We Close our Eyes and See a Flock of Birds, you shut your eyes and pulsating light makes images behind your eyelids.
Claerbout's Nightscape Lightbox
Look for a picture that only gradually emerges from the darkness, so seeing it takes time.
Polke's Strahlen Sehen
Sigmar Polke's picture changes with every shift in your viewing angle, so move along it rather than standing still.
Eliasson's Who is afraid
At the end of the tour, coloured light falls on the walls and your own shadow becomes part of the work.