iMuseo Tamayo Arte Contemporáneo · Bosque de Chapultepec
Erakusketa hau amaitu da.
"Before the Eclipse": 60+ artists who explored Mexico's pre-Hispanic past, land and popular culture between 1981 and 1991.
Museoaren webguneaDuring the total eclipse of 1991, Juan José Gurrola staged a "piro-acción", a fire performance, on the esplanade outside this museum. His sketch and a photo of it are in a show that runs from 1981, when the Tamayo opened, to that eclipse. If your parents watched it through an old X-ray, Gurrola's version involved more fire.
In between are over 100 works by 65 artists who lived in the city through economic crisis and the 1985 earthquake: painting, photography, textiles, video and installation, from Francis Alÿs to Lourdes Grobet. Archaeology is the curators' metaphor, and the work keeps returning to the pre-Hispanic past, the land and popular culture. You also run into the museum's own history, propped up by a rebuilt 1987 shoring structure.
Time Out gave it four stars. In Crónica, Eduardo Egea found it "flexible, eclectic and hybrid" but thought it leaned on Tamayo to justify itself. It fills Salas 1 and 2 until 18 October; entry is MXN 95, free on Sundays.
Mexikoko hispaniar aurreko iragana, lurraldea eta herri-kultura landu zituzten 60 artistatik gora, 1981etik 1991ra bitartean; azken urte hartan, eguzki-eklipse oso batek ilundu zuen Mexiko Hiria eguerdian. Igandeetan sarrera doan da.
Gurrola's eclipse fire action
Look for Juan José Gurrola's sketch and photograph of the fire performance he staged on the museum's esplanade during the 1991 eclipse.
Apuntalamiento para Nuestras Ruinas Modernas
Maillé, Rocha and Gabriel Orozco's 1987 shoring structure, rebuilt to prop up the Tamayo itself; Crónica read it as a jab at museum budget cuts.
Carlos Mérida's lost housing-estate sketches
Bob Schalkwijk's assemblage of Mérida's 1952 sketches for the Unidad Benito Juárez, the housing estate destroyed in the 1985 earthquake.
19 Concreto's tree burial
Documentation of Inhumación (1992), the collective's action burying a tree from the Museo de Arte Moderno at the Museo del Chopo.
Sounds of the decade
Guillermo Santamarina's audio compilation gathers 19 experimental Mexican pieces from 1979 to 1991, including Jorge Reyes and Antonio Zepeda.
You want a rigorous history of the decade: Crónica's critic found it eclectic and wants a stricter follow-up.